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Ear Trumpet Labs

Hand-Made Microphones by Ear Trumpet Labs

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New
Availability:
Non-stock item must be obtained from manufacturer
FREE SHIPPING:
To all 50 US States
Includes FREE bonus item:
20 foot microphone cable
Limited Returns Allowed:
Special conditions apply, see below
  • All Ear Trumpet Mics (main photo)
  • Ear Trumpet WANDA Mic
  • Ear Trumpet CHANTELLE Mic
  • Ear Trumpet DELPHINA Mic
  • Ear Trumpet EDWINA Mic
  • Ear Trumpet JOSEPHINE Mic
  • Ear Trumpet LOUISE Mic
  • Ear Trumpet MABEL Mic
  • Ear Trumpet MYRTLE Mic
Our Low Price: $650.00

Price shown may change based on options selected below (if applicable)

Frequently bought together:

Description

We stock the Ear Trumpet Nadine mic, which is a stellar mic for upright bass amplification and recording. But Ear Trumpet makes a whole flock of high-end, stylish, hand-made microphones. They've got a massive list of celebrity endorsers of these fantastic mics, and so I thought maybe we should also make them available for purchase here at Gollihur Music.

If you're shopping for the Nadine Upright Bass Mic, we DO stock that mic and can ship out ASAP. You can find out a lot more about that microphone here, and order it for timely processing and fulfillment. 

I don't STOCK these other Ear Trumpet mics, but can generally get the various models from Ear Trumpet pretty quickly. Meaning, if you need it super fast for a gig or session this weekend, I probably can't make that happen - but I should usually be able to get you your new mic in 7-14 days or so, depending on where you are (and whether Ear Trumpet has one ready-to-ship to me). We'll do our best to be timely, but don't expect any expedited handling (I guess what I'm saying is that you can still pay extra for expedited shipping, which will shorten the time it takes to get from me to you once we ship it - but it can't ship right away, as we have to acquire the mic first).

In the model listing below, I've included the most relevant facts, specs and details - but if you need more information, photos, etc. - please drop us a line and ask. I can send far more detailed information on a mic you might be interested in.

MODELS

Wanda

Wanda Condenser mic

 

This is Ear Trumpet's newest medium-large diaphragm condenser mic with all-brass mid-century styling and a built-in pivot mount. Perfect for vocals and high-volume sources like horns and drums, delivering exceptional clarity, plosive control, and feedback rejection for both live and studio use. Wanda’s medium-large diaphragm condenser capsule, high-SPL handling, and multilayer pop filter make it perfect for vocals and acoustic instruments as well as high-volume applications like horns, snares, or guitar cabs, with great feedback rejection and plosive control for studio-quality sound anywhere. 

Perfect for vocals and high-volume sources like horns, snare drums, and guitar cabs, delivering exceptional clarity, plosive control, and feedback rejection for both live and studio use.

  • TRANSDUCER TYPE: condenser, large (26 mm) diaphragm
  • POLAR PATTERN: cardioid
  • SENSITIVITY: (re 1000Hz, 94 dB): -48.3 dB (3.8 mV/Pa)
  • OUTPUT IMPEDANCE: <50 Ohm
  • NOISE FLOOR: 14 dBA
  • POWER REQUIREMENT: +24V to +48V phantom power
  • WEIGHT: 1 lb (2 lbs cased)
  • DIMENSIONS: 4” x 2” x 3.5”

Edwina

Edwina Condenser mic

 

A versatile large-diaphragm condenser microphone with smooth sound and exceptional feedback rejection. A clean & flexible workhorse for close-to-medium distance applications on stage and in studio. With meticulously tested, hand-wired electronic components, Edwina is designed specifically for feedback rejection in demanding live settings. Her smooth, detailed sound excels at all kinds of stage duties, from vocals to acoustic instruments to drum overheads, and also shines in the studio as a warm, accurate recording mic. She is optimized as a single-source mic, but with a sweet spot from one out to 18 inches, she does great capturing voice and instrument together for solo or even two performers.

Often used on stage and in studio for vocals, close-miking acoustic instruments (guitar, mandolin, banjo, fiddle), drum overheads, electric guitar cabinets.

Also available in a closely-matched stereo pair.

  • TRANSDUCER TYPE: condenser, large (26 mm) diaphragm
  • POLAR PATTERN: cardioid
  • SENSITIVITY: (re 1000Hz, 94 dB): -41.9 dB (8 mV/Pa)
  • OUTPUT IMPEDANCE: <50 Ohm
  • NOISE FLOOR: <11 dBA
  • POWER REQUIREMENT: +24V to +48V phantom power
  • WEIGHT: 1 lb (4 lbs cased)
  • DIMENSIONS: 8 3/4” x 4” x 1 3/4”; head is 3” in diameter

 

Louise

Louise Condenser mic

 

A large-diaphragm condenser microphone with a clean spring-suspended aesthetic. Bright harmonics & presence for medium-to-long distance applications. Ideal for small acoustic ensembles. The quintessential new classic bluegrass mic. A large-diaphragm condenser microphone spring-suspended in a pivoting slim stainless steel ring. Tuned for live performance use, ideal for micing small acoustic ensembles. Louise has the clarity, gain, feedback resistance, and full, natural frequency response to change the game when it comes to live single-mic situations. She has a pleasing high end with no harshness, and a sound that performers, audiences, and engineers all describe as astonishingly natural.

Ideal for single-miking a small acoustic ensemble, including acoustic instruments and multiple vocalists, on stage or in studio.

  • TRANSDUCER TYPE: condenser, large (26 mm) diaphragm
  • POLAR PATTERN: cardioid
  • SENSITIVITY: (re 1000Hz, 94 dB): -41.9 dB (8 mV/Pa)
  • OUTPUT IMPEDANCE: <50 Ohm
  • NOISE FLOOR: <17 dBA
  • POWER REQUIREMENT: +24V to +48V phantom power
  • WEIGHT: 1 lb (6.1 lbs cased)
  • DIMENSIONS: 12” x 6 1/2” x 3”; head is 3” in diameter

Myrtle

Myrtle Condenser Mic

 

A large-diaphragm condenser microphone with a spring suspended retro-inspired design. Warm & smooth midrange for medium-to-long distance applications. Ideal for single-micing small acoustic ensembles. It's a large-diaphragm condenser microphone with spring-suspended retro styling. Ideal for live vocal performance use, or single-micing small acoustic ensembles.

Myrtle has the most classic vintage styling of any of our mics, with a design pedigree straight from the 1930s. Her sound, however, is a wonder of modern acoustic design that thrives in current stage environments. She takes the warm, detailed sound and astonishing feedback rejection of Edwina, and adds a low end tuned for accurately capturing acoustic instruments from any distance. Her sweet spot extends from 6 inches out. And she has the low noise and natural clarity to work wonderfully in the studio as well.

Ideal for single-miking soloists or small acoustic ensembles, including acoustic instruments and multiple vocalists, on stage or in studio.

  • TRANSDUCER TYPE: condenser, large (26 mm) diaphragm
  • POLAR PATTERN: cardioid
  • SENSITIVITY: (re 1000Hz, 94 dB): -41.9 dB (8 mV/Pa)
  • OUTPUT IMPEDANCE: <50 Ohm
  • NOISE FLOOR: <5 dBA
  • POWER REQUIREMENT: +24V to +48V phantom power
  • WEIGHT: 1 lb (6.1 lbs cased)
  • DIMENSIONS: 12” x 6 1/2” x 1 3/4”; head is 3” in diameter

Delphina

Delphina Condenser Mic

 

Sounds just like the Myrtle, looks like the Edwina, with a snappy brass bracket to set it apart. Warm & smooth midrange for medium-to-long distance applications in a compact body. Ideal for duos and small acoustic ensembles, on stage and in studio. Sounds just like Myrtle, looks like Edwina, with a snappy brass bracket to set it apart. A large-diaphragm condenser microphone with distinctive but not domineering looks. Delphina takes the warm, detailed sound and astonishing feedback rejection of our standard Edwina, and adds a low-end tuned for accurately capturing acoustic instruments from any distance, just like our popular Myrtle. 

Ideal for single-miking soloists or small acoustic ensembles, including acoustic instruments and multiple vocalists, on stage or in studio.

Also available in a closely-matched stereo pair.

  • TRANSDUCER TYPE: condenser, large (26 mm) diaphragm
  • POLAR PATTERN: cardioid
  • SENSITIVITY: (re 1000Hz, 94 dB): -40.9 dB (9mV/Pa)
  • OUTPUT IMPEDANCE: <50 Ohm
  • NOISE FLOOR: <8 dBA
  • POWER REQUIREMENT: +24V to +48V phantom power
  • WEIGHT: 1 lb (4 lbs cased)
  • DIMENSIONS: 8 3/4” x 4” x 1 3/4”; head is 3” in diameter

Mabel

Mabel Condenser Mic

 

A hand-built, top-of-the-line multi-pattern studio condenser microphone, designed primarily for studio use on demanding sources like acoustic instruments, drum overheads, and vocals. Mabel features a unique copper-ringed head basket with brass grill work, held in a pivoting mount in a stainless-steel yoke, and a copper-and-brass body. The design is both visually stunning and extremely practical, as the pivoting head makes for easy positioning adjustments.

She uses two fixed-cardioid electret medium-large diaphragm (26mm) condenser capsules, individually tested and selected to match each other and strict design criteria. The circuit is a transformerless FET with fully balanced output, incorporating thorough EMI protection. Other electrical components in the signal path are highest quality metal film resistors, polypropylene and polystyrene capacitors, and individually tested, hand-matched and biased transistors and JFETs. The dual-cardioid-capsule design is an uncommon approach to a multi-pattern mic. It has advantages in an especially deep null at the sides of the figure 8 pattern and greater control over the directional frequency response across all the patterns. The circuit includes high frequency EQ tuned to the capsules to provide a very smooth high end. The response is very flat, with full low end and controlled high end, with response dropping above 14K. Perfect for use in studio for vocals, acoustic instruments, overheads. Multiple patterns provide different tonal options.

  • TRANSDUCER TYPE: condenser, large (26 mm) diaphragm
  • POLAR PATTERN: cardioid, omni, figure 8
  • SENSITIVITY: -33dB (23 mV/Pa) cardioid,
    -38dB (12 mV/Pa) omni and figure 8
  • OUTPUT IMPEDANCE: <50 Ohm
  • NOISE FLOOR: <17 dBA
  • POWER REQUIREMENT: +24V to +48V phantom power
  • WEIGHT: 1.2 lb (4 lbs cased)
  • DIMENSIONS: 8 1/2” x 4 1/2” x 1 3/4”; head is 2 1/2” in diameter

Josephine

Josephine Condenser Mic

 

A large-diaphragm condenser microphone with a spring-suspension design and elegant copper ring. Bright harmonics & presence for medium-to-long distance applications. Ideal for small acoustic ensembles, on stage and in studio.

Josephine has the clarity, gain, feedback resistance, and full, natural frequency response to change the game when it comes to live single-mic situations. She has a pleasing high end with no harshness, and a sound that performers, audiences, and engineers all describe as astonishingly natural. She can also bring that winning sound into the studio, capturing vocals and acoustic instruments with straightforward clarity. Ideal for single-micing a small acoustic ensemble, including acoustic instruments and multiple vocalists on stage or in studio.

  • TRANSDUCER TYPE: condenser, large (26 mm) diaphragm
  • POLAR PATTERN: cardioid
  • SENSITIVITY: (re 1000Hz, 94 dB): -41.9 dB (8 mV/Pa)
  • OUTPUT IMPEDANCE: <50 Ohm
  • NOISE FLOOR: <10 dBA
  • POWER REQUIREMENT: +24V to +48V phantom power
  • WEIGHT: 1 lb (6.1 lbs cased)
  • DIMENSIONS: 12” x 6 1/2” x 3”; head is 3” in diameter

Chantelle

Chantelle Condenser Mic

 

An end-address large-diaphragm condenser with a flexible pivoting body. Inbuilt pop filtering and exceptional feedback rejection make this an ideal close vocal mic for loud bands and noisy venues.

Chantelle was created to be the best available live vocal mic. She brings the clarity, warmth, and character of a large diaphragm capsule to a beautiful low-profile body ideal for close-micing. She has a smooth high end with no harshness and a very gentle upper-midrange emphasis. She also incorporates a full foam pop filter for great plosive protection. With exceptional feedback rejection, she can be used on even the loudest of stages. Her warm, present tone is also great on acoustic instruments.

Recommended for close micing vocals and acoustic instruments in demanding live settings, and in the studio.

  • TRANSDUCER TYPE: condenser, large (26 mm) diaphragm
  • POLAR PATTERN: cardioid
  • SENSITIVITY: (re 1000Hz, 94 dB): -54 dB (2mV/Pa)
  • OUTPUT IMPEDANCE: <50 Ohm
  • NOISE FLOOR: <5 dBA
  • POWER REQUIREMENT: +24V to +48V phantom power
  • WEIGHT: 1 lb (4 lbs cased)
  • DIMENSIONS: 8” x 2” x 2”; head is 2” in diameter

 

 


Also included is a FREE 20ft. Microphone Cable so you can hook it all up!

Please note: If you have never used a microphone with your bass before, please realize that there are limitations to microphone use - that's why transducers were developed! There can be greater feedback potential, and using a mic will usually require greater care to position your bass, mic, and speakers -- and adjust EQ -- to avoid feedback, "squeal," or unwanted resonances. We include a helpful sheet with tips for avoiding feedback with every mic and pickup order.

 

LIFETIME WARRANTY

Ear Trumpet Labs offers a lifetime warranty! Click the tab, above, to read the details (also found on the Ear Trumpet website).

 

Special return restrictions

Please note that restrictions/fees exist for returns on this item. See our return policy for details. As this is a special order item, we must (in addition to our standard deductions) asses a 15% stocking fee on a mic purchased from this page if returned.

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Warranty Information

Ear Trumpet Labs offers a lifetime warranty on defects or internal electrical failures in normal use. Here's their statement from their website: If a transistor goes noisy or an internal connection breaks we'll pay for shipping and fix or replace it for free. Obviously things like microphones can get broken by mishandling or misadventure; if your mic is damaged from rough handling or a hard touring life (we’ve seen it all!) we'll fix it for the cost of parts and shipping. We want these mics to be heirlooms, so we’ll always take care of you and your mic.
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