"Cheating On" Your Bass - the Value of Playing Other Instruments

"Cheating On" Your Bass - the Value of Playing Other Instruments

If anyone asks, I'm a bass player, through and through. That being said, I've spent much of my time playing other instruments as well. Mom was a school music teacher and a pianist, so we always had a piano in the house growing up. When the school started kids on band instruments in 4th grade, like a surprising number of bassists (in my experience) I picked up the trumpet; later, I moved on to playing Mellophone and French Horn in high school. I also own a home studio where I record mostly original music, and have several guitars, keyboards, drum sets and percussion instruments, and more. I even recently performed on a friend's cover of an old tune by Yes, contributing a trio of recorders. (If you check it out, I come in at around 1:28).

"So what?" you might ask. While bass is my primary instrument, learning a host of others has been nothing but beneficial to my bass playing.

Bassists are unique, in that our role in most musical styles is to bridge the gap between rhythm, harmony, and melody. We truly are the glue that holds the entire band (whether the lead guitarist wants to admit that or not...) But we can't put together the puzzle unless we understand how the pieces all fit. While listening to recordings, it's quite important to see (hear?) the big picture, and learning even just the basics of a new instrument can open your eyes to ways that you can support other players with your bass playing, since you understand their role better. 

Former employee Christopher Davis-Shannon and I used to talk about this subject a lot in the office when he worked here (he left a couple years ago to pursue his music full time!) Christopher is a far more formally-schooled player than I am, and he also teaches his own students on multiple instruments; so he made some nice points, and referred to some useful pedagogical resources for an column in an old e-newsletter from years back:

On the rhythm side, I can't recommend enough the book "Stick Control" by George Lawrence Stone. All you need is a pair of sticks and a practice pad, and you're good to go. Every rhythmic variation you can dream of is in that book, as well as many that have probably never crossed your mind. Besides giving you an appreciation for the coordination it takes to be a drummer, it will improve your time and feel. I've also taken to doing these exercises with my right hand while practicing slap. The crossover possibilities are pretty exciting!

Harmony is an aspect of music that is vital to understand as a bass player, but sometimes is overlooked, as bass is not (usually) a chordal instrument. But sit down with a guitar, piano, or uke; even taking the time to learn to work your way through a few chords can make a huge difference in the way that you hear harmony. While I'll often practice arpeggios on bass, there is no substitute for hearing a full chord - and experiencing the way that various voicings can lead you to different resolutions."


TL;DR: Learning a chordal instrument will open a lot of doors in your bass playing, by enabling you to properly support the harmony in songs. Great bass lines lead the listeners ears to the next change, and having a deeper understanding of harmony is a great way to get there. And learning a percussion instrument can give new insights into rhythmic interplay and get you out of your conventions and off your plateaus.

In the end, playing any other instrument will greatly benefit your bass playing and make you a more well-rounded musician. It doesn't hurt that it tends too be pretty fun, too!

May 24th 2021 Mark

News/Blog